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Georgia O'Keeffe Flower Prints
Georgia O’Keeffe flower prints will breathe
new life to any room in your home. As a member
of the precisionist movement she chose the subject
of each painting carefully in an effort to accurately
portray its beauty. Her use of flowing lines
and vibrant colors help us to better appreciate
the complicated structure of not only the flowers
depicted in her works, but the surrounding ecosystems
they inhabited. First shown in the 291 Gallery
owned by Alfred Stieglitz's (who eventually
became her husband), her pieces were considered
to be the “purest, finest, sincerest things
that had entered 291 in a long while."
White Flower, 1929 by
Georgia O'keeffe
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Through Georgia O’Keeffe’s flower
prints, and most other works in her portfolio,
it is evident that she was enthralled with nature.
Her respect and love for landscapes gave her
the drive to accurately depict the wilderness
that surrounded her. From rural landscapes in
New Mexico and Lake George, to the bright city
lights of New York City, she used her signature
artistic devices of space, shape and color to
create and breathe life into her compositions.
It was during the long winter months she spent
living in the city that she began working with
and painting the large flowers (completing her
first in 1924). These works later became some
of the more renowned pieces in her repertoire.
"Most people in the city rush around
so they have no time to look at a flower. I
want them to see it whether they want to or
not." Overwhelmed with the hustle and bustle
of the city she took it upon herself to reveal
the solitude, beauty, and hope that can be found
in the image of a single flower. It was through
her efforts that city dwellers were able to
experience the majesty of the environments outside
the confines of the familiar metropolis they
lived in. It is said that beauty is in the eye
of the beholder. The beholder must have owned
one of Georgia O’Keeffe’s flower
prints.
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